《镜子》是最具挑战性的一部，因为它没有线性的叙事结构。我想老塔是想自由地在不同时间中拼贴他的记忆和梦境，那些碎片式的记忆既没有时间顺序也缺失确凿的因果关系。另一个让观众迷惑的是老塔用同一个女演员来扮演他的母亲和他的前妻，又用同一个男孩来扮演童年时代的自己和他的儿子。
我喜欢他在电影中穿插重要历史时刻的纪录片作为影片中的集体记忆，通过提供一个更大的社会历史背景来连接每个人物与时代的关系。
The mirror is the most challenging since it does not have a linear narrative structure. I think he tried to create a narrative of his memories and dreams that moves backwards and forwards in time. His fragments memories are neither in a clear temporal order nor with a causality. And another confusing thing is he let the same actress to play both his mother and his wife, as well as same boy to play both himself in childhood and his son.
I like he used a few newsreel images of historical events as part of collective memory in the film, linking all characters by supplying a larger social and historical background.
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