咬文嚼字看《盗梦》
本来豆瓣上有一篇比较详细的《盗梦》逻辑分析， 但是发现仍然存在不是很清楚的地方，文后跟帖里仍然是问题不断争议不息，而由于盗梦翻译版和译制版指导近日才在大陆上映，参与讨论的朋友大多如本人一样是在其他地方看的原版，由于欣赏角度参差不齐很可能漏听或者是听错对白里的一些重要线索才导致对电影脉络似懂非懂，一时间数学流形理论，主角左手戒指理论，主角父亲幕后黑手等等说法四处飞扬。。。。。。于是我就想到那不如听写下来电影的全部台词然后在字里行间找到支持某个论点抑或是驳倒某个论点的证据，让这些电影中的人物自己告诉我们在那梦境深处到底发生了一些什么。然而即便如此，由于个人英语能力有限而又在课余时间仓促完成，听写及分析不免以偏概全，挂一漏万，请牛人指出错误， 让真理越辩越明。（红色部分是与情节逻辑有重大关系的地方，而连续问号处则是没有听懂的地方。）
Inception
(Saito梦境第二层)
Saito: Are you here to kill me? I know what this is, I've seen one before many many years ago. It belongs to a man ????
Cob: What is the most brilliant parasite? Bacteria, virus, intestinal worm?
Arther: What Mr. Cob is trying to say.....
Cob: An idea. Resilient highly contagious, once an idea is taken and hold in the brain it is almost impossible to eradicate. An idea that is fully formed , fully understood, that sticks right there in somewhere.
Saito: For someone like you to steal?
Arther: Yes in the dream state, your conscious defences are lower that makes your thoughts vulnerable to threft. It's called "extraction".
Cob: Saito we can train your subconscious to defend itself from even the most skilled extractor.
Saito:How can you do that?
Cob: Cause I am the most skilled extractor. I know how to search your mind and find your secrets. I know the tricks and I can teach them to you so even when you were asleep your defence is never down.
Look if you want my help, you are gonna have to be completely open with me. I need you know my way around your thoughts better than your wife, better than your therapist , better than anyone. This is a dream and you have a safe full of secrets I need to know what is in that safe. In order for this all to work, you need to completely let me in.
Saito: Enjoy your evening gentlemen, as I consider your proposal.
Author: He knows.....What's going on?
Saito knows, you should plan with this.
Cob: It doesn't matter. I can get there trust me , the information is in the safe, he looked right at that when I mentioned "secrets".
Arther: What's she doing there?
Cob: Step back to the room, all right , don't take care of this.
Arther: Ok, Make sure you do, will you? You've to work.
Mal: If I jump, will I survive?
Cob: Mal, what are you doing here?
Mal: I thought you might be missing me.
Cob: Oh I am, but, but I can't trust you anymore.
Mal: So what? Looks like artist taste?
Cob: Actually the subject is Partial Deposwal British Paintings.Please , have a seat.
Mal: Tell me , did the children miss me ?
(Cob要在saito的梦里找到保险箱里的文件，可见saito是这个梦境的subject同时又是dreamer，可见一个梦的dreamer和subject可以是同一个人，而设计师则必须是别人，不然目标人物自己就会意识到自己是在做梦，这对于理解后面的fisher任务第一层梦境很有作用)
Cob: I can't imaging.
Mal: What are you doing?
Cob: Get some fresh air, stay where you are, Mal.
God, damn it.
Saito: Turn around !
Mal: Put the gun down. Please.
Saito: Now the envelope, Mr. Cob.
Cob: Did she tell you? Or you know all along...
Saito: ....that you are here to steal from me, or...that we are actually asleep.
I want to know the name of your employer.
Cob: It's no use threating, I'm in a dream, right Mal ?
Mal: It depends on what are you threatening. Killing him may just wake him up, but pain.....Paining is in the mind, and judging by the ?????
此处对白证明在梦境第二层死亡会让梦境第一层的人醒来，但梦境第一层仍然存在）
( Cob小组背叛者梦境第一层，窗外发生暴乱的小屋)
Guy 1: What are you doing, it's too soon.
Arther: I know, the dream is collapsing. I am trying to keep Saito wander ????
????'s gonna work, wake him up.
Give him a kick.
Drop him.
Cob: You came prepared.
Saito: &%^$#!@$, how did you find it?
Cob: It's so difficult for man of your position to keep a love nest like this secret, particularly when there isn't married woman involved.
Here we are.
Arther: They are getting closer.
Saito: You got what you came for.
Cob: It's not true. You left out a key piece of information, didn't you? You ????cause you knew we were reraped to. Question is why you let us in hall?
Saito: An audition.
Cob: An audition for what?
此段对白证明saito一早就知道cob小组想进入他梦境然后偷他潜意识里的东西，但是他仍然陪他们玩目的就是为了看他们到底有多少水平，能否达到自己的要求。
Saito: It doesn't matter. You failed.
Cob: We have sacked every bit of information you had in there.
Saito: And your ??? is obvious.
So, leave me alone.
Cob: you have to understand Mr.Saito, the coporation that hired us, they won't accept failure. We won't last to days.
Arther: Come, Looks like I'm gonna have to do the stuff more simply.
Cob: Tell us what you know, tell us what you know , now !!
Saito: I've always air this carpet. The same fate in such distant worlds, let just know I made a war. ????
Which means, I'm not lightening my carpet in my apartment, you are living without your vividation Mr Cob. I am still dreaming.
(现实世界，奔驰的列车)
Japanese boy: How did it go?
arther: Not good.
Arther从背叛者的梦境第一层回到现实，既没有kick，也没有在第一层被杀，而是在日本小男孩挂在背叛者头上的耳机音乐停止的时候回来，可见耳机的音乐就相当于是警报装置，当音乐停，睡眠机的效力过去，人就醒来了。
(梦境一层)
Saito: Three linger in the dream, I am impressed.
But in my dream , you play by my rules.
Nasha: God your space isn't the same world.
Cob: Not in your dream.
Nasha: In my dream.
(此时背叛者和Cob几乎同时回到现实，与Arther醒来时间相差不到几秒钟，都是由于睡眠机效力过去而且Arther也把连接在Cob手腕上的电线拔出)
Arther: Asshole, you missed up the carpet.
Nasha: it wasn't my fault.
Arther: You are the architect.
Nasha: ?????
Cob: That's enough.
Arther:You, what the hell was all that?
Cob: I had it under control.
Arther: I need to see it out of control.
Cob: We don't have time for this.
I am getting off to ???
Arther: Why cause you need to check out other compartment?
Cob: I don't like trains, listen, everyman for himself.
(东京，Cob在酒店的房间)
(此处Cob拿起手枪并转动陀螺，陀螺倒下证明是现实世界，Cob又放下了抢，由此可见梦中自杀而被杀效果是一样的，在豆瓣上关于这个问题曾有争议，此处证明)
Cob: Hello.
Philip: Hey daddy.
Cob: Hey guys, hey. How are you, how are you doing , Ah ?
Philip/James: Good, Ok I guess.
Cob: OK? Who just said Ok? Is that you, James?
James: Year, When are you coming home dad?
Cob: I can't, sweet heart, I can't . I said " for a while" , remember?
I told you I am away because I am working , All right?
Philip:Grandma says you are never gonna be back.
Cob: Philip, is that you? put grandma on the phone for me, will you?
Philip: She is shaking her head.
Cob: I just hope she is wrong about that.
James: Daddy, is mom with you?
Cob: James, we talked about this, Mummy is not here anymore.
James: Where?
grandma: well it's enough, say byebye.
Cob: listen, I 'm gonna send some presents with grandpa, all right? And you will be good, you 'll be....
Arther: Horizon roof.
Are you OK?
Cob: yeah, what?
Arther: About that dream, Mal showed up.
Cob: Sorry about your leg, it won't happen again.
Arther: It's getting worse, isn't it?
Cob: I want to apologize on your getting hurt. Where is Nasha?
Arther: He hasn't showed, we will wait.
Cob: We are supposed to do all saito's expection ?????engineering two hours ago by now and then we fail, it's time we disappear.
(屋顶天台)
Arther: where are you go?
Cob: I know, sorry, in my load they are maybe sniffing out of jobs.
Let's quiet down, you, send my regards.
Saito: He sold you out, part the company and bargain for his life.
So I offer you the satisfaction.
Cob: It's not the way I do with things.
What will you do with him?
Saito: Nothing, but I can't speak for cobbo engineering.
Cob: What do you want from us?
Saito: Inception, is possible?
Arther: Of course not.
Saito: If you can just steal some idea from someone's mind, why can't you plant one there instead?
Arther: Ok, here is me planting an idea in your head, I said you don't think about elephants. What are you thinking about?
Saito: Elephants.
Arther: Right, but it's not your idea, because you know I gave it to you.
The object's mind can always trace the genesis of the idea. True inspiration is impossible to fake.
(这就是为什么电影一开始Cob要从Saito脑中窃取情报只要走到梦境第二层而最后在fisher脑中植入情报却要走三层，因为亚瑟说得很清楚，the mind can always trace the genesis of the idea)
Cob: it 's not true.
Saito: Can you do it?
Cob: Are you offering me the choice, cause I can find my own way to square things with Cobbo.
Saito: Then you do ????
Cob: I choose to leave sir.
Saito: ????where they want to go.
Saito: Hey Mr cob,how would you like to go back home? to america, to your children.
Cob: you can't fix that, no one can.
Saito: just like the inception.
Arther: con, com'on.
Cob: how complex is the idea.
Saito: simply enough.
Cob: No idea is simple when you need to plant it into somebody else's mind.
Saito: My main competitor is an old man in poor health, his son will soon in hurry control of the corporation. I need him to decide to break up his father's empire.
整个思维植入行动的原因，也是电影最薄弱的环节，很多人认为为这样的理由去干后来那么些事太费力，理由不充分。
Arther: Cob we should walk away from this.
Cob: hold on.
If I would do this, if I even could do it. I need a garantee. How do I know you can deliver?
Saito: you don't, but i can, so do you want to take a labor faith?
Or become an old man, filled with regret, wating to die alone.
Assemble your team Mr cob, and choose your people all wisely.
Arther: I know how much you want to go home, this can't be done.
Cob: Yes, we can, you just need to go deep enough.
Arther: you don't know that.
Cob: I 've done it before.
Arther: Who did you do it to?
Cob: While we are in Paris. We need a new architect.
(巴黎大学，教室)
Cob: you didn't like your office, did you?
father: no space to think in a blue cabinet.
is it safe that you will be here?
Cob:the tradition between france and united states is a bureaucratic nightmare, you know that.
father: I think they might find a way to make you work in your case.
Cob: look , I brought this , give them to the kids if you have a chance.
father: it takes more than the occasional stuffed animal to convince the children they still have father.
Cob: I am just doing what I know, I am doing what you taught me.
（此处说明了Cob的所有盗梦技能全部是他老爸教的，而这也是那些认为电影最后陀螺没有倒下的人的依据之一，他们认为整个电影只有这里的对话是发生在现实生活中的，后面的一切包括在LA见到孩子都是Cob在自己老爸造的梦里）
father: I've never talked you to be thief.
Cob: you taught me to navigate people's mind. But have to what happened, they ran the whole out of the legitimated ways for me to use that skill.
Father: what are you doing here, cob.
Cob:I think I found a way home.
it's a job for some very very powerful people, people who i believe can fix my charges permanently. but i need your help.
father: you are here to corrupt one of my brightest and best.
cob: when i am offering, you just let them to decide by themselves.
father: money.
cob: not just money, you remember, it's the chance to build cathedrals and entire cities , things that never existed, things that couldn't exit in a real world.
father: so you want me to let someone else follow you into your fantasy.
cob: they don't actually come into the dream, they just design the levels and ????the dream, that's all.
father: design it yourself.
Cob: mal won't let me.
father: come back to reality, tom, please.
Cob: reality? those kids, your grandchildren they are waiting for their father to come back home, that is THE reality.
And this job, this last job, that's how i get there.
I will not be standing here, if i knew any other way.
I need an architect who is as good as I was.
father: i 've got some body better.
(学校走廊)
father: Ariadeni, I'd like you to meet Mr.cob.
A: nice to meet you.
father: if you have a moment, mr cob has a job offer he would like to discuss with you.
A: work wizard?
Cob: not exactly.
(教学大楼顶层)
cob: I have a test for you.
A: you like to tell me anything about this first?
Cob: For I describe the job, I have to know you can do it.
A: why?
Cob: It is not strictly speaking illegal.
You have two minutes to design a maze that takes one minute to solve.
Stop,,,,,,again....
stop, you have to do better than that.
that's what I want.
(小女孩梦境第一层，梦主小女孩，设计师小女孩，subject是Cob)
Cob: they say we only use a fraction of the brain's true potential now, that's when we were awake. When we are asleep, our minds can be standing.
A: such as?
Cob: imaging you are designing a building, right? You consciously create a ????, but sometimes it feels like it almost creates itself if you know what i mean.
A: yeah, like, I am discoverying it.
Cob: General Inspiration, right?
Now in a dream, our mind continuously does this, we create and perceive our world simultaneously. Our mind does it so well that we don't even know what is happening.
That allows us to get right in middle of that process.
A: how?
Cob: By taking over the creating part, now this is what I need you.
You create the world of that dream, we bring the subject into that dream and they fill it with their subconscious.
（在fisher任务中，三层梦境的设计师全部都是小女孩，目标人物全部都是fisher,第一层梦境的枪战，第二层梦境的酒店失重力搏斗和第三层的雪地大战都发生在Cob小组和fisher’s subconscious之间）
A: How can you ever acquire any detail to make them think that is reality.
Cob: Among dreams, they feel real when we are in them right? So when we wake up, then we realize that something was actually strange.
Let me ask you a question, you never really remember the beginning of the dream , do you? you always wide up right in the middle of what's going on.
A: I guess, yeah.
Cob: So how did we end up here?
A: well we just came from the Ah....
Cob: think about it Ariadeni, how did you get here?
Where are we right now?
A: we are dreaming?
Cob: you are actually in the middle of the work shop right now, sleeping. This is your first lesson we share the dreaming.
A: it's just a dream, why would you...
(废弃工厂)
Cob: that is never just a dream, isn't it?
(电影中此时两人都从梦中醒来发现睡在躺椅上，小女孩是因为在梦境崩溃的时候被倒塌的建筑压死后醒来，而Cob则是在睡眠机失效后醒来，支持这一观点的有力证据是两人醒来时电影背景音乐是那个耳机里面放的印度风格音乐，之前已经说明，耳机的声音在这里是睡眠机器的报警器)
Your faithful ???? looks like how when you are in it, it feels real.
Arther: That's what the military develop the dream share as the training program, the soldiers to ???? each other and wake up.
A: how did architects become in advance?
Cob: this is 100 design in the dream, right? I want you give us another 5 minutes.
A: five minutes? we were talking for like at least an hour.
Cob: A dream in your mind functions really quickly , therefore, time seem to feel more slow.
Arther: five minutes in a real world gives you an hour in the dream.
Cob: why don't you see what you can get up to in five minutes ?
(小女孩梦境第一层，Cob是目标人物subject)
Cob: Not the basic layout, bookstore, cafe, almost everything else is here too.
A: Who are the people?
Cob: Projections of my subconscious.
Remember you are the dreamer, you built this world, I am the subject , my mind populates.
You can literally talk to my subconscious, that's ????
A: Who wants to do it?
Cob: my creating something secure like, a bank or a jail, the mind automatically fills the information it is trying to protect.
（人们在被带入梦境中会将自己的潜意识带入，而心中不想让别人知道的秘密则会自动出现在梦里的诸如银行和监狱这样的地方里面，因为这些地方在潜意识里面被当成是存放秘密的地方，但这个理论只适用于盗取，植入则要复杂得多）
A: Then you go to steal it?
Cob: well.....
A: I guess I thought that the dream space will be all of our pre visual, but it is more about feel it, my question is what happens when you start messing with the physics about.....
(由于小女孩是梦的设计师，所以当她问道：“what happens when you start messing with the physics…”的时候她的潜意识想到了要mess the physics所以就马上在自己的梦中出现了空间倒转折叠的事情，而作为subject的cob看在眼里，潜意识被“这是梦”这个概念刺激于是他的潜意识在梦中的投影，也就是路人，都向小女孩convergent 过来。.)
something, isn't it?
Cob: yes, it is.
A: why are they all looking at me?
Cob: Cause my subconscious feels that someone else is creating this world, the more you change things, quicker the projections start to converge at you.
A: so what?
Cob: Since the full nature of the dreamer, the attack is like white blood cells fighting infection.
A: so they are gonna attack us?
Cob: No, just you.
It isn't great I tell you , if you keep changing things like this.
A: Can I tell your subconscious to take it easy?
Cob: that is my subconscious, remember I can't control it.
Are you impressive?
I know this bridge, this place is real , isn't it?
A:Yeah, I cross it everyday to get to the college.
Cob: Never recreate places from your memory, always imaging new places.
A: If you got a drop, you have to know, right?
Cob: Only use details, a street, or a phone, never get areas.
A: why not?
Cob: Cause building a dream from your memory is the easiest way to lose your grasp on what's real and what is a dream.
A: So, what happend you to?
Cob: This is not interesting, you understand?
A: So why you needed me to build your dreams?
Cob: get off here, back up, back up.
A: wake me up, wake me up.....
(废弃工厂)
Arther: hey, hey, look at me, you are ok, you are ok?
A: why would we wake up?
Arther: Cause I still have some time on the clock, you can't wake up when you are in the dream unless you die.
COb: You need a totem.
Arther: A totem is a small......
Cob: the some subconscious you got on you, Cob. She is a real charmer.
Arther: You see, she is Mrs. Cob.
A:She is his wife?
Arther: So, a totem, you need a small object potentially having something you could have on your old time, but no one else could....
A: like a coin?
Arther: This should be more unique, this is a lead dice.
I can't let you touch it that would faint the purpose. ?????
that way when you look at your totem you know whether you are in someone else's dream.
（有人提出Cob的totem是陀螺，转不转很容易分辨，那Arther的灌铅骰子怎么用，结合Cob对于梦境其实是梦中人永远都走不完的莫比乌斯环这一理论，灌铅骰子在现实中会出现随机数，在梦中则会出现 123456，123456，123456。。。。的无止境循环数）
A: if you can't see what's going on, or if you just don't want to. Cob has some serious problems that he's trying to bury down there. And I am not about to just open my mind to someone like that.
Cob: She will be back, I've never seen anyone who picked it up such quickly before. Reality is not gonna be enough for her now when she comes back.
When she comes back you are gonna have her building mazes.
Arther: Where are you gonna be?
Cob: I am gonna go visit Eames.
Arther: Eames? He is in Monbasa.
That's Cobbo's backyard.
Cob: That's a necessary risk.
Arther: There are plenty of good thieves.
Cob: We don't just need a thief, we need a forger.
(Monbasa)
Cob: if you run them together all you want, you're not gonna breath.
Eames: you never know.
Cob: Inception, for you, you might be telling me it's impossible.
Eames: No, that is possibly possible.
Just bloody difficult
Cob: Arther keeps telling me it can't be done.
Eames: Arther, he still works in that...
Cob: He is good at what he does, right?
Eames: Oh, he is the best, beyond our imagination.
Cob: Not like you.
Eames: Listen, if you are gonna perform inception, you need imagination.
Cob: Let me ask you something.
Have you done it before?
Eames: We tried, before the idea was placed, somebody can take it.
Cob: You didn't plant it deep enough?
Eames: That's not just about depth, you know, you need the simplest version of the idea.
Let it to grow naturally in your subject's mind. That's very ?????, So what is this idea did you need to plant?
(如Eames所说，植入概念除了要深入还要有过渡，因此Cob小组在fisher任务中采用了分三层每一层分别植入一个概念，一个比一个深的作战方案，后文详细描述)
Cob: We need the ear of a major corporation to dissolve his father's empire.
Eames: Which is why you have to make a little motivations which is very acceptable to himself, so in case your subject has prejudice, we might have to start from the absolute basic.
Cob: Which is what?
Eames: His relationship with his father.
Do you have a canvass?
Cob: No, not yet.
Eames: Look , here is a man here. He formulated his own versions of compounds.
Cob: I want you take me there.
在电影开始的saito任务中Cob小组没用powerful compound只用了睡眠机所以在梦中死掉会醒来，但同时最多只能进入第二层，但是植入概念比窃取难，所以要走三层梦境，因此必须使用powerful compound,但同时付出的代价就是在梦中死掉不会醒来而是进入limbo。）
Eame: plus you lost your tail. ????
Cob: Cobbo Engineering. That price on my head, was that dead or live?
Eames: %$@&^!@$....
Cob: We are in the fearence I will make you do seriously in the bar and say they have now?
Eames: Backyard.
Cob: That's the last place they suspect.
Eames: Well, Frady, Frady Soom, Oh my god, it's you, isn't it?
No , it isn't him....
Cob: Coffee, one coffee.
Saito: Hey, oh , Mr.COb.
Cob: What are you doing in Monbasa?
Saito: I need to protect my investments.
Eames: So this is your idea ????
Cob: Different tail.
(废弃工厂)
Arther: Cob said you will be back.
A: I tried not to come, but...
Arther: But there is nothing quite like that.
A: It's just , pure creation.
Arther: So we take a look some paradoxical architecture.(
(女孩梦境第一层，arther是设计师，女孩是梦主也是目标人物)
Arther: You are gonna have to master some few tricks and we are gonna go three complete dreams of it.
Excuse me.
A: What kind of tricks?
Arther: In a dream you can cheat architecture into impossible shapes.
That let you creat closed loops, by depend wrong steps.
In infinite staircase.
Paradox, so the closed loop like that will help you disguise the boundry of the dream you created.
Girl: But how did these levels happen creating?
Arther: The only thing is we deform the building into entire city.
But they have to be complicated enough that we can ???? the projections.
A: A maze.
Arther: Not a maze, better than maze.
A: How long do we have before the projections catch us?
My subconscious seems plain enough.
Arther: You wait, it's running ugly.
I don't like to feel some machine messing around than Mal.
A: Cob can't build anymore, can he?
Arther: I don't know if he can, he won't. He thinks it's safe if he doesn't know the layers.
A:Why?
Arther: He won't tell me, I think it's Mal.
A:His ex-wife?
Arther: No , not ex.
A: They are still together?
Arther: No, she is dead. You just see in there is just his projection there.
A: Would she like him in real life?
Arther: She was loving him.
(Monbasa)
Indian: You will see canvassed to formulate compounds for job.
Cob: And to go into the field with us.
INdian: No I've really known the field , Mr Cob.
Cob: We need you there you tail the compounds specific to our needs.
Indian: Which is?
Cob: depth.
indian: A dream within a dream, two levels.
COb: Three.
Indian: Not possible, I mean the dream within dreams is too unstable.
Cob: It is , possible. You need have that assititive.
Indian: No, powerful assititive.
How many team members?
Cob: Five.
Saito: Six. The only way to know you have done the job is by running with you.
Eames: There is no room for ?????, Mr. Saito.
Saito: This time it seems there is.
Indian: This I think is a good place to start, I use that everyday.
COb: What for?
Indian: Yeah, I will show you.
Perhaps you won't want to see.
Cob: After you.
Indian: Look they are here, share the dream.
You see, very stable.
Cob: How long do they dream for?
Indian: Three or four hours, each day. For this compound.
24 hours, each day.
Saito: why do they do it?
Indian: How did it work? Mr COb.
Cob: After a while it becomes the way you can't dream.
Indian: THey used to, Mr. COb.
Saito: They come in everyday and sleep.
Old man: No, they come more frequently, the dream has become their reality. Who would you just they otherwise?
Cob: Let's see what you can do.
(Cob梦境第一层)
Mal: You know how to find me, you know what you have to do.
(Monbasa)
Indian: Sharp enough?
Saito: Are you all right? Mr. Cob?
Cob: Yeah, I think just fine.
Saito: RObert, fisher, ?????????
Cob: What's your problem with this Mr fisher.
Saito: That's not your concern.
Cob: Saito, this isn't your typical cooperative ?????
You ask me for the inception and I want you to understand the gravity of that request. The seed that we plant in this man's mind will grow into an idea, this idea will define him. It may come to change, it may come to change everything about him.
Saito: We are the last company standing between them, a total energy dominance.
We can no longer compete, you will control the energy supply afterwards. In effect, they will become a new superpower, the world needs Robert Fisher to change his mind.
Eames: That's why we come in, How is robert fisher's relationship with his father?
saito: Rumor is the relationship is quite complicated.
Cob: We can't get work based solely on rumors, can we?
Eames: Can you get me an access to this man?
Saito: Browning , fisher senior's right-hand man, fisher junior's Godfather.
It should be possible, unless I can get the right references.
Eames: Reference is ah.... Something the speciality for me , Mr saito.
(Browning office)
Browning: I am not smelling subliment here, take him down.
Secretary: Marine species' policy is always one of the boarding vidication.
Browning: Shall we worship concerns with Mories ??????
Secretary: I don't think it's necessary.
Browing: No, no, no, I think, we should.
How was he? I don't want to bother you unnecessarily.
What is this? THe church memory of this?
Fisher: I'd better put this beside his bed, he hasn't even noticed.
Browning: Fisher, we need to talk about Parvaternie. I know this unappropriate, but it's imperative that we start to.
(废弃工厂，Cob小组讨论处)
Eames: The vurcher is a certaining. The sicker the Mories fisher becomes, the more powerful peter browning becomes. An appropriate opportunity to observe Browning. I got the physical presence study as metalisms so long so forth. Now at the first layer of the dream I can imperson in Browning. And suggest concept in fisher's conscious line. Then we take them level deeper, his own projection of Browing should feed right back to him.
在第一层假扮browning向fisher灌输第一层概念，你的父亲是爱你的，然后在梦境第二层的时候看fisher自己潜意识中的browning会如何行动就可知道fisher对于browning是信任的还是怀疑的，事实证明cob小组成功离间fisher和Browning（fisher潜意识中的那个browning）并由此哄骗fisher进入browning梦境第三层，而其实是fisher自己的梦境第三层。
Arther: So we give them solved idea.
Eames: Disguisting, cause the only way we will stay you ask him solve generator.
Arther: Eames, I now trust you.
Eames: Your consesion as always is much appreciated, Thank you.
A: Will you going under on your own?
Cob: NO, I just am running some experiments.
I don't realize that anyone was here.
A: Yeah, I was making my totem, actually.
Cob: Here , take a look, So you are learning, Ah....
A: The elegant solution for keeping track of the reality.
Is this your idea?
Cob: No, it's Mal's actually, this one spinning in a dream would never topple. Just, spin and spin.
A: Arther told me she passed away.
Cob: How the maze is coming along?
A: Each level relates to the part of the subject's subconscious that we are trying to access, so making the bottom level hospital, so fisher would meet his father, Am,,,you know, I...I actually have a question about this maze.
Cob: No, don't show me specifics, only the dreamer should know the layer.
A: Why that's so important?
Cob: In case one of us brings our projections, we don't want them knowing the details of maze.
A: you mean in case you bring Mal in, you can't keep her out, can you?
You can't build because he the knows then she knows the maze, she can sabotage the whole cooperation. COb, did others know?
Cob: NO, they don't.
A: You could've warn them, if this is getting worse.
Cob: No one said it's getting worse, I need to get home, that's all I care about right now.
A: why can't you go home?
Cob: Because they think I killed her.
Thank you.
A: For what ?
Cob: For not asking whether I did.
Cob: I will split up my father's empire. Now, this is obviously an idea the robert should be inject.
Indian: Just why we need to plant deep in subconscious?
Cob: Subconscious is motivated by emotion, right?
We need to find a way to translate this into an emotional concept.
Arther: How you translate a business tradegy to emotion?
Cob: That's what we are gonna figure out, right? The Robert's relationship with his father is stressed in Saito list.
Eames: Can we bring him that? Cause just breaking up his father's company is to screw you to the old man.
Cob: No, cause I think positive emotion forms negative emotion everytime.
We offer room for reconciliation, catharsis. We need robert fisher that would positive emotional reaction to office.
只有将枯燥概念转化为情感植入才有效果，所以cob小组在梦境最后的病房里设置了风车的桥段来感动fisher。
Eames: I want to try this--- My father excels, but I want to create it by myself, not following his footsteps.
Cob: That might work.
Arther: Might? we need to do a little better than " Might".
Eames: Thank you for your contribution, Arther.
Arther: Forgive me for wanting a little specificities. Specificity !
Cob: Inception is not about being specific. When we get inside his mind, we are gonna have to look what we find.
Eames: In the top level, we are gonna break his relationship with his father, say, I would not follow in my father's footsteps. Then the next level down, feed him, I would create something for myself, then by the time in the bottom level we bring out the big guns.
Cob: My father doesn't want me to be him.
Eames: Exactly.
说得这么清楚了，不解释
(废弃工厂，小组讨论室)
Arther: Three layers down, dream is to be collapsed with the slightest disturbance.
Indian: Sedation. For sleep. simple enough to creat three levels of dreams after combined with the extremely powerful acciditive.
(个人认为这个镇静剂（sedation）就是之前的powerful compound，也是能深入梦境三层但是死后去limbo的原因)
Indian: The compound will be used to create very clear connection with quickly responsible.
Actually accelerating brain function.
Cob: Remember we want to give this more time on each level.
Indian: Brian function in the dream would be about 20 times normal, eventually dream within that dream affects powerfully.
Eames: I am sorry, Math is not my best subject.
How much time was it?
Cob: So I week first level down, 6 month a second level. third dream....
A: It's 10 years. Who would want to be stuck in the dream for ten years?
Indian: Depends on the dream.
Arther: SO once we've made the plant, how would we get out?
Mind looking for something from your elegant mind than shooting me in the head?
Cob: A kick.
A: What's a kick?
Eames: now this is a kick.
COb: The feeling of falling you get to wake it, snaps you out of the dream.
Arther: How we are gonna feel a kick with this kinda sedation?
Indian: That's the caverpart. I customized delitivetely an ear funcion unimpaired.
That way, however deep the sleep, the sleeper still feels pulling.
(正如台词所说，此时耳机仍然是一种警报作用，不同的是电影开始时耳机是用于提醒梦里的人睡眠机要失效了，而现在耳机的作用是让属于N层的人提醒在N+1层的人我马上就要kick了，所以印度人开车撞桥，亚瑟炸电梯的时候都先给睡着的人戴上耳机)
Cob: Synchronize a kick that can penetrate all three levels.
Arther: We can use the music to synchronize different kicks.
Eames: Resume , surgery schedule and dental nothing.
Cob: Not as he is suppose to have an operation?
Eames: Nothing.
This is pretty wonderful , anyway, we need at least a good ten hour.
Saito: Sydney to Los Angeles, One of the longest flights in the world. He makes it every two weeks.
Cob: I think that must be flying privately.
Saito: Not if their one expects to maintenance this way this time.
Arther: Cause that has to be a seven forty seven.
Cob: Why is that?
Arther: Cause at seven forty-seven the pilots are up top so we can walk through, you don't have to buy up the entire cap and the first class flight room.
Saito: I bought airplane. It seems neat.....
Cob: Looks like we have enough ten hours, Ariadine.
(Cob梦境第一层，Mal的感情桥段)
Mal: You know where you want to be, you know what you have to do. You remember when you asked me to marry you.
Cob: of course , I do.
Mal: You said you had a dream.
Cob: We may cry together.
Mal: Then we can.
Cob: You shouldn't be here.
A: I just want to see what kind of tests you are doing everynight.
COb: It has nothing to do with you.
A: What do you mean it has nothing to do with me? You asked me to share a dream with you.
Cob: Not these, these are my dreams.
A: why did you do this too soon?
Cob: this is the only way I can still dream.
A: Why is it so important to dream.
Cob: My dreams are still together.
A: these are not just dreams., these are memories and you said never use memories.
Cob: I know I did.
A: You try to keep her alive, you can't let her go.
Cob: you don't understand, these are moments I regret in my memories that I have to change.
A: what's down there that you regret?
Cob: listen there is only one thing you need to understand about me.
A: this is your house?
Cob: mine and Mal's , yes.
A:Where is she?
Cob: She has already gone.
This is my son James, he's taking for something, maybe a worm, this is Philip, see I thought about calling out to them, so they return, smile, I can see those beautiful faces up there. But, it's all to late.
Lawyer: Right now, or never gone.
Cob: I start to panic, I realize that I would regret this moment, I need to see their faces one last time. But the moments passed. I wish if I do, I can change this moment, I am about to call out to them, they are running away. I've never gotta see their faces again, I've gotta get back home.
Mal: what are you doing here?
A: I, I am ....
Mal: I know who you are, what are you doing here?
A: I am just trying to understand.
Mal: How could you understand? Do you know what it is to be a lover?
You be half of the whole? I'm tellling you I am real. You are waiting for a train, the train that would take you far away. You know where you hope this train will take you. But you don't know for sure. But it doesn't matter, how can it not matter to you when the train won't take you?
Cob: Cause we will be together.
Mal: How can you run your hair down?
A: What is this place?
Cob: This is the hotel suite we used to spend our anniversary.
A: What happened here?
Mal: You said we would be together! You said we would go home together!!
Cob: I will come back.
(废弃工厂，现实)
A: Do you think you can just build a prison of memories to lock her in?
Do you really think that's gonna contain her?
Saito: It's time. Mories Fisher just died in Sydney.
COb: When is the funeral?
Saito: Thursday. In LA.
Arther: Robert should accompany the body now it is Tuesday.
A: RObert can I go with you?
Cob: I promise my answer no.
A: The team needs someone who understands what you are struggling with.
And it doesn't have to be me. But then you have to show Arther what I just saw.
Cob: Get us another seat on the plane.
(Airport)
COb: If I get down this plan, and you don't honor our agreement, when we land, I go to jail for the rest of my life.
Saito: COmplete the job I will to,%$&!#$*&....
You will have no trouble getting immigration.
小组行动由此开始
(现实，飞机上)
fisher: I am sorry..
Eames: Oh, yeah, I am sorry.
Cob: Excuse me I think this is yours? You droped it.
Attendant: Would you want any drink?
COb: Water, please.
fisher: The same.
Thank you.
Cob: You know I couldn't help but notice, but we happened to be related to The Mories fisher.
Fisher: Yes, he is my father.
Cob: That is a very inspiring figure, I am sorry for your loss.
Here you go, hey, to your father.
(fisher梦境第一层，暴雨之城，fisher是梦主和目标人物，小女孩是造梦师)
Arther: Couldn't have a pee before you went under?
Eames: Take too much free champaign before we take off, isn't it?
Indian: I was bloody hot.
(在飞机上大家忙着拉电线接通睡眠机的时候印度人喝了一杯香槟，于是当他进入fisher梦中时就把水带入了，形成暴雨，这和后来大马路上突然出现的火车是由Cob带入的是一个道理，这都不是造梦师小女孩造的)
Cob: Who knows we are gonna be looking for a taxi in this one.
Driver: asshole...
Cob: walk away.
fisher: what are you doing?
Eames: Oh, I am sorry I thought it is free.
fisher: But it's not.
Eames: maybe we can share.
Fisher: Maybe not, can you pull over and get this .....
great.
There is 500 dollars in there, the wallet worth more than that.
So you might as well drop me....
Eames: I am afraid that....
Arther: Cover him, come on.
Are you all right?
Eames: Yeah I am ok, I am ok ,fisher is ok, let's get some carsick.
Arther: Saito?
Cob: put fisher in the backroom now, I am in the backwork.
Indian: Did he bring his guards? he has guards?
Cob: Jesus Christ.
You put ????? a free train.
Arther: How did you put a train course in the middle of downtown intersection?
A: NO I didn't
Arther: where did it come from?
Cob: Let's ask you a question, why the hell we were ambushed? Those were not normal projections fisher had been trained for god sakes.
Arther: You are right.
A: How could he been trained?
Arther: Fisher had an extractor teach his subconscious to defend himself so his subconscious is militarized, That should have shown in the research, I am sorry.
Cob: So why the hell you didn't?
Arther: Calm down.
Cob: Don't tell me to calm down.
This is your job god damn it, this is your responsibility, You and Mege check fisher's background thoroughly, we are not prepared for this type of fighting!
Arther: We have dealt with sub-security before, be only to more careful we are gonna be fine.
COb: Before starting apart, the plan is dying for God sake.
Eames: Let me just....
Cob: Don't do that... Don't do that....
Eames: He is in agony I am waking him up.
Cob: We won't wake him up.
Eames: We die in the dream, we wake up.
Indian: not from this one.
Eames: right, so what happens when we die?
Cob: we drop in limbo.
Arther: Are you serious?
A: limbo?
Arther: unconstructed green space.
A: what the hell is down there?
Arther: just raw infinite subconscious, nothing is down there. Except whatever might be left behind by anyone sharing the dream who is been trapped there before.
Which in our case, this is you.
A: How long could we be stuck there?
Indian: I don't even think about trying to escape ....
Eames: How long?
Indian: decades. Could be infinite I don't know, ask him he is the one who has been there.
COb: Just get him upstairs.
Eames: Great. So now we are trapped in fisher's mind battling his own private army and if we get killed, we will be lost into limbo to ??????
Arther: So you know about these risks, you didn't tell us.
Cob: No one meant to be any risks, I didn't know we will be dealing with a load of gunfire.
Arther: You had no right.
Cob: This is the only way to go through layers deep.
Arther: And you, you knew about this, why don't tell me?
Indian: I trusted him.
Arther: You trusted him, why, we promised you had the share?
Indian: His whole share. He said he had done it before.
Arther: You had done it before, what , with Mal? Cause that worked so good ?
Cob: That has nothing to do with that,I did what I had to do to get back to my children.
Eames: So you let us into this war, there is no way out.
Cob: There is a way out. We continue on with the job, we do it as fast as possible.
We get out using the kick, just like before.
Eames: forget it, we run any deep we're just running into stakes, I am sitting this when I am on this level, of course.
Cob: The securities are surrounding this place as we speak, 10 hours flight time is 1 week this level, that means each and every one of us will be killed that I can guarantee you. You have no other choices but continue on and do this as fast as possible.
Downwards is the only way forwards.
Get ready, you come on, let's go shake him up.
fisher: I am sure against kidnapping of 10 million, this should be very simple.
Arther: Shut up, it won't be, in your father's office below the bookshelf this is his personal safe. We need the combination.
Fisher: I don't know any safe.
Cob: That doesn't mean you don't know the combination.
Tell us what it is.
Fisher: I don't know.
Arther: We have all the good authority, you do know.
Fisher: Yeah, who is the authority?
Indian: 500 dollars, this cost him.
Eames: What's inside?
Indian: Cash, cards, I.D., I don't know this.
Eames: Useful?
Cob: Maybe, you are on, you've got an hour.
Eames: one hour? I wasn't suppose to have ???? to crack this.
Cob: Saito wasn't supposed to be shot in the chest.
Eames: You have one hour, now get something useful, please.
( 梦中一层，在废物里，Eames假扮成fisher的教父Browning，在fisher的脑中建立第一层概念，“你的老爸在他的保险箱里面存放了很珍贵的东西给你”。 Fisher对绑架他的人说他不知道什么保险箱的事情这是真的，而事实上他老爸到底有没有真的留什么东西给fisher都不一定，这一切的内容都是Cob小组杜撰安排，目的就是和最后一层实现安排好的风车桥段相呼应，让fisher因此深信不疑。当然这里的假扮Browning也为梦中二层成功离间两人埋下伏笔)
Fisher: What's that/
Arther: Good authority.
Fisher: Just, just make him stop.
Arther: The combination.
Fisher: I don't know it.
Arther: Why does Browning say you do?
Fisher: Let, let me talk to him and I will find out.
Browning (Eames): Those bastards have been bad at me for two days.
They have some access to your father's office then try to open his safe.
Fisher: Yeah.
Browning (Eames): They thought I know the combination but I don't know it.
Fisher: Yeah, neither do I.
B(E): What? Mories told me that when he passes, you would be the only to be able to open that.
Fisher: No, he never, he never gave me any combination.
B(E): Maybe he did, maybe he just knows this combination.
Fisher: Well, what then?
B(E): I don't know, some meaningful combination based on your experiences with Mories.
Fisher: We didn't have many meaningful experience together.
B(E): Perhaps after your mother died.
Fisher: After my mother died, you know what he told me? Robert, there is really nothing, to be said.
B(E): He was in the emotion.
Cob: What is he doing?
A: He is a lot pain.
COb: When we get down to the lower levels, the pain will be less intense.
A: Then if he dies?
Cob: The worst case scenario, when he wakes up his mind is completely gone.
Saito: COb, I will still honor the arrangement.
Cob: I appreciate, saito, but when we wake up you could not even remember we had an arrangement. Limbo is gonna become your reality, you are gonna be lost down there so long that you are gonna become an old man.
Saito: filled with regret...
Cob: Waiting to die, alone.
Saito: No, I will come back. I prefer to be young man together again.
B(E): These people are gonna kill us if we don't give the combination.
Fisher: They just went around....
B(E): I heard them. They are gonna lock us into that van and drive it into the river.
Fisher: All right, what is in the safe?
B(E): Something for you.
Mories always said that was his most precious gift to you. A will.
(在小组讨论时Cob提出直接输入概念会适得其反，只有从感情上下手才可，所以Eames在一层就开始为此谋划，说fisher的父亲其实很爱fisher，而且是以自己非常的方式。)
Fisher: Mories swore with reporting down?
B(E): That's the ultimate. ???? if you wanted to.
It splits up the component businesses of Fisher Morrel and be the end of the entire empire as we know it.
Fisher: Why would he suggest such a thing ?
B(E): I just don't know, he loves you Robert, in his own way.
Fisher: In his own way, at the end, he called me to his death bed, he could barely speak, but he took trouble to tell me one last thing, he pulled me close, and I could only make on one word........"disappointed".
(此时fisher向Eames透露了听到父亲临死前说的话，只听清楚disappointed这个词，于是Cob小组就顺水推舟在梦境最后层设计了父亲讲出“disappointed”但句子意思却完全相反的话作为最深层的概念植入，再次提醒的是，现实中的fisher父亲到底是不是这样想的，到底爱不爱fisher都不知道)
A: When were you in the limbo? You might have the rest of team convinced to carry on with this job but they don't know the truth.
Cob: Truth? what truth?
A: the truth that in any minute you might bring a free train to your world, the truth that Mal is bursting through your subconscious, and the truth that as we go deeper into fisher, we are also going deeper into you. And I am not sure we are gonna like what we find.
Cob: We were working together, we were exploring the concept of a dream within a dream, I kept pushing thing, I want to go deeper and deeper, and I want to go further, I didn't understand the concept that hours and turn into years down there. When we got trapped so deep, when we lay upon the short room subconscious, we lost sight of what is real, we created, we built thing by ourselves. We did that for years, we built our own world.
A: How long were you stuck there?
Cob: Something like 50 years.
A: Jesus, how could you stay ?
Cob:That wasn't so bad at first feeling like Gods. Problem was none there was real, eventually just became impossible for me to live like that.
A: Then what about for her?
Cob: She had to lock something away, something deep inside her.
The truth that she went under, she chose to forget. Limbo became her reality.
A: What happened when you wake up?
Cob:Until we woke up from that after years, after decades.
We come old souls thrown back into youth like that. I know something was wrong with her, she just wouldn't admit it. Eventually she told me the truth, she was possessed by an idea, this one very simple idea that changed everything. That our world wasn't real, that she needed to come back to the reality, in order to get back home, we need to kill ourselves.
A: What about your children?
Cob: She thought they were projections, that our real children are waitng for us there somewhere.
( 回忆)
Cob: Calm down.
Mal: DOn't you think I can tell the difference?
Cob: If this is my dream, why can't I control all these?
Mal: Because you don't know you are dreaming!
Cob: She was certain there was nothing I could do no matter I much I've made no matter how much I pleaded. She wanted to do it, she could not do it alone she loved so much, so she came up with the plan. On our anniversary......
(再回忆)
Cob: Sweetheart, what are you doing?
Mal: Join me.
Cob: Just , just step back inside. All right? Just step back inside.
Mal: I am going to ?????, you are coming with me.
Cob: No, I am not. Now you listen to me, if you jump, you are not gonna wake up remember? You are gonna die, now , just, just back inside, come on. Step back inside so we can talk about this.
Mal: We've talked enough.
Come out onto the ledge, aren't you brave?
Cob: OK. Let's talk about this, right?
Mal: I am asking you to take a deep faith.
.
Cob: No, I can't, you know I can't do that. Think a second, think about our children, think about James, think about Philip now.
Mal: If I go without you, you can take them away anywhere.
Cob: What does that mean?
Mal: I filed a letter with our attorney, explaining how I am fearful for my safety. How you are gonna kill me.
Cob: Why would you do that?
Mal: I love you, Cob.
Cob: Why did you, why would you do that?
Mal: I freed you from the fear of chosing to leave them.
We are going home. With our children.
Cob: Mal you listen to me, all right? Mal look at me, please.
Mal: You are waiting for a train.
Cob: Mal, GOd damn it, don't do that.
Mal: You are waiting for a train, the train that won't take you far away, you know about this, but you are not sure, it doesn't matter.
Cob: Mal!!! God damn it!!!
Mal: Because we will be together.
COb: sweetheart, look at me!!!!
Mal !!!!, no, jesus christ.
Cob: She had herself declared sane by three different phychiatrist, It makes me impossible to try to explain the nature of the dream. So, I ran.
Attorney: Right now, or never, Come.
Cob:All right, let's go. I left my children behind and have been trying to buy my way back ever since.
A: Your guilt defines her. It's what powers her. But you are not responsible for the idea that destroyed her. If we are gonna succeed in this, you have to forgive yourself you have to confront her. But you don't have to do that alone, then doing it for the others because they have no idea the risk they are taking coming down there with you.
Cob: Yeah, move.
Arther: Time's up.
Fisher: I don't know any combination, not consciously in me.
Arther: I got somebody standing in your father's office right now ready to type in the combination. Give me the first 6 numbers that come into your head right now.
Fisher: I have no idea.
Arther: Right now !! I say right now.
Fisher: 528491
其实这个数字没有什么意义，因为蒙面的Arther说了“give me first six numbers that comes into your head right now”, fisher不知道保险箱的事当然不知道密码，所以他只是报了脑中随意蹦出的数字，但是在梦境第二层这个数字就很有用了，因为fisher自己说了这个数字，进入了subconscious，在fisher入下一层酒店之梦的时候会自认为这个数字有重要含义，小女孩也根据528491的数字设计了491房在528房正下方，这在现实中不可能。并把睡眠机放在528房，这都是为了让Cob扮演的Mr.Charles 能成功博得第二层梦境的那个fisher的信任。因为如果fisher不合作，又怎么让梦境第三层的病房感人桥段发挥作用呢？
Cob: What did you get?
Eames: that boy's relation with his father even was ????
Arther: That helps us hell.
COb: Sorry the issue is more powerful like catharsis.
Arther: How we are gonna reconcile them for soul strength?
Eames: I am working on that.
Arther: Faster. ????
Eames: you must have a big dream, darling.
(梦境一层，面包车上)
Cob: We need to shoot this animosity to his father who is godfather.
A: what We can destroy is one possible relationship?
Eames: NO. We prepared for basically his father, but this is specializing his godfather's treatment. ?????
Arther: What about security, it's gonna get worse when we go deeper.
COb: No,I think we should run with Mr. Charles.
Eames: Who is Mr. Charles?
Arther: Bad idea.
Cob: The second we get to that hotel with Robert Fisher his securities are gonna be all over us. You ???? I can get on this job.
Eames: Have you done that before?
Arther: It didn't work. The subject realized he was dreaming and the subconscious tore us into pieces.
Cob: We need some kind of distraction.
Eames: No problem. How about a lovely lady that I used before?
Cob: Listen, you drive carefully , all right, if you've done this, keep in stick I am still.
Arther: Don't jump too soon, you are the one who shoot that kick beyond me.
Indian: I will put the music on you when it's coming, the rest all knew.
You ready?
Cob: ready.
(Arther梦境二层，酒店，fisher是目标人物，注意，酒店层的梦主是Arther不是fisher)
Women: Am I boring you? I was telling you my story, because wasn't you like it?
Fisher: I am out of my mind.
Arther: There goes Mr. Charles.
Cob: Mr. Fisher, pleasure to see you again, Ryan Green from marketing high.
And you must be?
Women: Leaving. In case you get bored.
Cob: Must flown you off, that isn't her last phone number, really isn't , only 6 digits. I am afraid you've made a friend someone stealing your wallet like that.
Fisher: God damn it, wallet alone worth at least.....
COb: about 500 dollars , right? Don't worry about it , my people are already ????speak.
A: Who and what is Mr. Charles?
Arther: It's a gamble that he designed to turn fisher against his own subconscious.
A: But why don't you approve?
Arther: Cause it involves telling him that he is dreaming, which involves attracting a lot of attention to us.
A: He didn't come say he was gonna do that.
Arther: This is the time you notice how much time Cob spends doing things he says never to do.
Women: Mr Saito, can I have a moment?
Saito: I,I,I am sorry.
Eames: You love me back, year?
Saito: I am amusingly say yes.
?????
Eames: No, it's much pressure, Shiyo's driving.
Fisher: I am sorry, who did you say you are?
Cob: Ryan Green from marketing.
That's not true at all, is it? My name is Mr Charles, you remember me , don't you? I am the head of your security down here.
(Cob事先不知道fisher曾经接受过其他extractor的训练，所以他改换了作战方案，既然你的潜意识化成的军队在梦境一层制造了这么大的麻烦，那我索性就假扮成那些军人的老大，声称保护fisher不让那些在第一层的强盗偷走信息，当然那个第一层的强盗就是cob他自己啦。)
Eames: Get out on the different floor ????
Dump the wallet, the security will look for that.
Fisher: Security, Aah,,,, you work for the hotel?
Cob: No, I specialize in a very specific type of security. Subconscious security.
Fisher: You talk about dreams? You are talking about ....extraction.
Cob: I am here to protect you......they try to access your mind through dreams, you are not safe here. I am coming for you.
Strange weather, isn't it?
A: What's happening?
Arther: Cob is drawing fisher's attention of the strangeness of the dream, which makes his subconscious look for the dreamer....for me. quick, give me a kiss.
(Arther对小女孩说的这句台词很好地证明了酒店梦境的梦主是Arther而不是Fisher，设计师当然还是小女孩，这是梦的嫁接术，Arther在fisher梦境第一层睡着再把fisher嫁接入自己的梦境第二层，这个嫁接同样在电影最后出现，就是Cob在fisher梦境第三层睡着将fisher嫁接入自己梦境第四层，回忆都市。)
A: They are still looking at us.
Arther: Yes, worth a shot.
We should probably get out here.
Cob: feel that, you have actually been trained for this, Mr fisher, pay attention to the strangness of the weather, the shift of the gravity. None of this is real, you are in a dream.
Now the easiest way for you to test yourself is to try remember how you arrive this hotel, can you do that? Breath, breath, remember you are training, except the fact that you are in the dream and I am here to protect you. Go on.
Fisher: You are not real.
Cob: No, No, I am projection of your subconscious.
I am sent here to protect you in event that these extractors try to pull you into a dream and I believe that is what's going on right now.
Fisher: Ok, can you get me out here?
Cob: Right away, follow me.
Fisher: Jesus Crist, what are you doing?
Cob: These memory will set you and reduct you , all right? if you want my help, you have to remain calm. I need you to work with me, Mr. Fisher.
Fisher: This is a dream? I just kill myself to wake up, right?
Cob: Why aren't we do that for everything, Mr fisher? I believe they have sedated and if you, if you pull that trigger, you may not wake up, you may going to a further dream state now, you know what I'm talking about. You remember the training, remember what I said to you, give me the gun.
Arther: This room should be directly below 528.
Cob:Think, Mr. fisher, think what do you remember from before this dream.
Fisher: Oh, there was a....there was a lot of gunfire, it was rainning, oh....
I was got kidnapped.
Cob: Well, where do they hold you?
Fisher: They had us in the back of a van.
Cob: That explains the gravity shifts. You are in the back of a van , right now...now keep going.
Fisher: It has something to do with some....something to do with a safe, God it was so hard to remember, I will try.
Cob: You won't remembet the dream after you woke up, listen, it takes years of practice, you and Browning have been pulled into this dream because they are trying to steal something from your mind, I need you to focuse and try to remember what that is.
What is it, Mr. Fisher, think.
Fisher: Oh,..a ,a combination. They demanded the first numbers that pops in my head.
Cob: They are trying to extract the number from your subconscious, it can represent anything, we are in the hotel right now, what is the number Mr. Fisher, trying remember for me, this is very important.
Fisher: 52.....
Cob: That's enough, my person has been out there, fifth floor.
A: So you will use the timer?
Arther: No, I will judge it for myself. You are all asleep in 528. That ruins your suite as a kick.
A: How will you know?
Arther: This music warns me, and then when the van hits the barrier of the bridge, that should be all immistakable. So we get a nice synchronized kick. It's too soon , we won't get pulled out, if it's too late, you won't be able to drop us.
A: Why not?
Arther: Cause the van will be in freefall, I can't drop you without the gravity.
(Arther原来在梦境二层是准备在491房贴炸弹让上面528房的人突然下坠来Kick其他人离开雪地梦境的，但这个必须在第一层的印度人开车撞桥栏杆之前进行，这样所有人在第二层等着第一层车子猛烈撞击栏杆来kick就行了，没想到第一层敌人火力太大，印度人坚持的时间比预定的少，所以撞击提前了，雪地的Cob等人就miss the kick了，所以Arther在听到歌曲时说了一声“Not so soon”，因为他来不及了，于是就只能拆除炸弹，在车子落水之前用电梯方法来kick了。)
Arther: Mr. Charles.
Cob: You know what that is? Mr. Fisher?
Fisher: Yeah. I think so.
Cob: They are trying to put you under.
Fisher: We are already under.
Cob: Under again.
Fisher: What do you mean, a dream within a dream.
Saito: I'm sorry, I mistook you for a good friend.
Browning: Good look friend, I am sure.
Eames: This is fisher's projection of Browning who I am following to see how he acts perhaps.
Saito: Why?
Eames: Because how he acts will tell us if fisher is done to suspect his artist's loyalty.
Fisher:Why are you here?
COb: You said you are kidnapped together?
Fisher: Not exactly, they already had him, they were torturing him.
Cob: And you saw them torture him?
Fisher: ......the kidnapper's working for you? You are trying the make the safe open? They ??????
Browning: Fisher Morral has been my entire life, I can't let you destroy it.
Fisher: I am not gonna throw away my inherance why would I?
Browning: I couldn't let you rise to your father's last tout.
Fisher: What tout?
Browning: The will, Robert, that will, that is the last insult.
Tell you to build something for yourself, but telling you you are not worth in help his accomplishments.
Fisher: But he was....disappointed...
Browning: I am sorry. But he is wrong, you can build a better company than he ever did.
Cob: Mr. Fisher, he is lying.
Fisher: How do you know?
Cob: Trust me, this is what I do, he is hiding something, we need to find out what that is.
I need you to do the same thing to him that he was going to do to you. We went into his subconscious to find out what he doesn't want you to know.
Fisher: All right.
Cob: He is out.
A: Wait, whose subconscious are we going into this after ?
Cob: We are going into Fisher's we told him it was Browning's so he can be a part of our team.
Arther: He's gonna help us breaking his own subconscious.
说得很清楚了，不解释。
Cob: Right.
Eames: The security is gonna let you down.
Arther: I will leave them on a merry chase.
Eames: Just remember to do it before the kick.
Arther: You do, hey, are you all right?
Cob: Yes, yes,yes, I am , I am fine.
(fisher梦境三层，雪堡)
A: Cob, what's down there ?
Cob: well the truth you want fisher own it.
A: I mean what's down there for you?
(dream level one, rainning city)
Indian: Did you see that?
Cob: This is your dream, I need you to drag the securities away from the complex, you understand?
Eames: Who guides fisher in?
Cob: Not me. Find out the rule everything could be compromising.
A: I designed the place.
Cob: Right, you are with me.
Saito: I could do it.
Cob: All right, you brief from one of the route to the complex, fisher, you are going with him.
fisher: All right.
Cob: I will be listening the whole time, the windows on the upper floor pick enough for me to cover you from the south tower, you see it?
Fisher: Yeah.
Cob: Do not come with me, you are gonna find out the truth about your father, you are gonna break into Browning's mind on your own.
Saito: Go fisher.
(level one, rainning city)
Indian: I hope you are ready.
(level two, hotel)
Arther: It's too soon....
(level three, snow fort)
Eames: Cob did you hear that? He only has no more than 20 minutes. I don't know what's going up there.
Cob: I hear that, it's music.
Eames: SO what shall we do?
Cob: Move fast!
This is ten seconds from the jump, which gives Arther three minutes, which gives us what?
A: 60 minutes.
Cob: So can we get there in an hour?
A: They still have to cranp down the whole terrace.
COb: Well then they need a new room, a more direct room.
A: It was designed as a lab room
Cob: ?????, Eames.
Did Eames add any features?
A: I don't think I should tell you, if Mal....
Cob: Don't have time for this, did he add anything?
A: He added a paradox to let him cut through the maze.
Cob: Good, explain them.
A: Saito.
Saito: Go ahead.
(二层，酒店)
Arther: Paradox.
(三层，雪堡)
A: What was that?
Cob: A kick
Eames: Cob, did we miss it?
Cob: Yes, we miss it.
Fisher: Consolid have try built a god damn beach, ah?
Eames: What are we gonna do right now?
Cob: We finish the kick before the next kick.
Eames: What next kick?
Cob: When the van hits the water.
(二层，酒店)
Arther: How can I drop you without gravity?
(3)
Cob: Arther has a couple minutes, we have about 20.
Eames: Some go back the way, I have to know something.
Cob: Just buy us some time, all right?
A: This guide can teach you find fisher.
Cob: Strong enough to ham the windows?
A: Well I don't think they can be very strong to do it.
Cob: Until fisher lies I will find him there.
You need to hurry cause the entire army head direct.
Someone else is there.
A: Fisher has lost the track.
No, she she is not real.
Cob: How do you know that?
A: she is just a projection. Fisher, fisher is real !!
Mal: Hello.
A: Eames, Eames, give fisher a ?????? (music.....)
Did Mal kill fisher?
Cob: good shooter. This has no use. His minds have all attracted down there, it's all over.
Eames: So that's it, then we failed?
Cob: We are done, I am sorry.
Eames: Well this does not mean I could not go back to my family, isn't it?
What a shame I really want to know what happened in that room.
Cob: Let's set the charges.
A: No there is still another way, we just have to follow fisher down there.
Eames: Not enough time.
A: No, there will ,there will be enough time down there. We will find him, as soon as Arther's music kicks in, just use the difibulator to revive him, we can use his own kick down below.
Look, you could have him in there, as soon as the music ends, you blow up the hospital and we all ride the kick back up the layers.
（小女孩不愧为盗梦学术第一人，个人认为其造梦术比Cob高了一个等级，这是小女孩提出救fisher的方法，同时用到了Cob未曾使用过的嫁接和点击自我kick的办法，豆瓣上曾一度争论到底给fisher电击是为了配合自我Kick还是纯粹为了救活他，小女孩说as soon as Arther’s music kicks in, just use the difibulator to revive him,可见电击是为了配合kick的。）
Eames: This worth a shot, besides there is another guy if I set the charges.
Cob: Saito couldn't make it, really?
A:COb, come on, you've gonna try this.
Eames: Go, you bring him back using the kick I will be here waiting for you.
Cob: There is great.
A:Am I trusting you to do with this is gonna happen, I mean Mal is gonna be down there.
Cob: And we have to find her, she has fisher, just want to come after me.
(Cob梦境第四层，废都)
A: This is your world?
Cob: What? This is where we shall be. Come on.
(雪堡)
Eames: Saito, I need you to take care of fisher when I go for some charges, OK?
Saito: .......
(废都)
A: you built all these? This is incredible.
Cob: We built it for years, it all started from the memories.
This way.
This is our neighborhood. This is our first apartment.
You see that building over there, this was when Mal became pregnant, this was our apartment.
A: You reconstructed all of these from memory?
Cob: Like I told you, we had lots of time.
A: What's that?
Cob: This is the house Mal grew up.
A: Will she be in there?
Cob: We both want to live in a house, we love this type of building, in real world we have to choose but not here.
A: How will you bring fisher back?
Cob: We have to come up with some kind of kick.
A: What?
Cob: A compromise, listen there is something you should know about me. About the inception.
An idea is like virus, resilient highly contagious, a small seed of an idea grows up, It can grow into a fine for destroying you.
Mal: The smallest idea such as, your world is not real. A simple thought that changes everything. I am so certain of your world, of what's real, do you think he is? Are you thinking this is his last design?
Cob: I know what's real, Mal.
Mal: No creeping doubts, not have a feeling of prosecuting doom, chased around the globe by these incorperations, these forces, the way that the projections prosecute between us. So, they don't believe in one reality anymore, so choose, choose to be here,
choose me.
Cob:You know what I have to do, I have to get back to my children, because you left them, you know you left us.
Mal: You are wrong, you are confused, our children are here. And you'd like see their faces again, wouldn't you?
Cob: Yes, but I want to see them up above, Mal.
Mal: Up above? listen to yourself, these are our children. Watch, James, Philiper...
Cob:Please, these are not my children.
Mal: you keep telling yourself, but you don't believe.
What if you are wrong? What if I am what's real. You keep telling yourself what you know, but what do you believe? What do you feel?
Cob: Guilt, I feel guilt mal, no matter what I do, no matter how hopeless I am, no matter how confused, that guilt, is always there reminding me the truth.
Mal:What truth?
COb:The idea that caused you to question the reality that came from me.
Mal: You planted the idea in my mind.
A:what is she talking about?
Cob:The reason I knew that inception was possible was because I did that to her first, planted to my wife.
A: Why?
Cob:We were lost there, I knew we needed to escape, she wouldn't accept that. she locked something away, the truth that she chose to forget. She couldn't break free. So I decided to search for it, I went deep in her mind and found that secret place, I broke in, then I planted an idea, the simple idea that changed everything. That her world wasn't real.
Mal: And the wake is the only escape.
(recollection, the former limbo world)
Cob: You are waiting for a train. The train that will take you far away, you know where you hope this train will take you. But you can't know for sure, it doesn't matter, now tell me why.
Mal: Because we will be together.
Cob: but i never knew that I dealt with a growing mind like a cancer that left when she woke. You continued to think you need to go back to reality, you continued to think that your world wasn't real, and death is the only escape.
(Cob夫妻在Limbo待了几十年，最后Cob意识到limbo不真实，而妻子意识到不真实却不愿意相信，她把能确定是不是梦的陀螺封印在自己心中，Cob为了让妻子回现实，在Limbo中再次催眠妻子，潜入其梦中找到陀螺让它转起来然后锁上保险箱，这样当妻子在limbo中睡醒是潜意识中的陀螺是旋转的，那她就会想和Cob一起回现实了，所以两人卧轨了，但是在现实中醒来后潜意识的陀螺还在转，所以她还是认为这里是梦里，跳楼前对Cob说的“you are waiting for a train…..”的台词正是在limbo卧轨是Cob说的，这句话也留在了妻子的潜意识中。)
Mal: How you've faked my mind?
cob: I was trying to save you.
Mal:You betrayed me. We can still keep your promise, you can still be together right here, in the world we built together.
A: All right, we need to get fisher.
Mal: You can't have him.
COb: If I stay here, will you let them go?
A: What are you talking about?
Mal:Fisher is on the porch.
COb: GO check if he is alive.
A: No you can't do this.
Cob: GO check he is alive right now, do it.
A: He is here, it's the time, you have to come now.
Cob: Take fisher with you all right.
A: you can't stay here to be with her.
Cob: No, I am not. I did that I mean he is down here somewhere, which means I have find him. I can't stay with here anymore because she doesn't exist.
Mal: I am the only thing you don't believe in any more?
Cob:I wish, I wish more than anything, but, I can't imaging you without all your complexity, all your perfection, all your inperfection. Look at you, you are just a shade, you are just a shade of my real life. I want the best I can do, I am sorry you are just not good enough.
What are you doing?
(雪堡)
Fisher: I know that you are disappointed that I couldn't be you.
Mories: No, no no no no, I was disappointed that you didn't try.
(fisher发现了保险箱中事先设计好的风车和遗嘱，大受感动。。。。。。如果在看到这段的时候你也很感动，说明你没看明白。还以为他们真的了却了父子心结。。。。)
(废都)
Cob: That's the kick out there.
A:Don't lose yourself, find Saito, bring him back.
Cob: I will.
Mal: You remember when you asked me to marry you?
Cob: Yes.
Mal: ?????
Cob: Remember we did, we did, you don't remember. It seemed to be more than I could bear, but , we had our time together. We won't let you go, won't let you go.
(一层)
Fisher:You know the will means that dad wanted me to be my own man. It's what I am gonna do, what I am gonna...Ah....Ah....
Arther: What happened?
A:COb stayed.
Arther: With Mal?
A: No, to find Saito.
Arther: He will be lost.
A: No, he will be alright.
(limbo迷失域)
Saito: Are you coming to kill me? I am waiting for someone.
Cob: Someone from my half-remembered dream.
Saito: Cob, I know it's you. We were young man together. But I am an old man.....
Cob: filled with regret....
Saito: Waiting to die alone....
Cob: I am coming back for you, for my children, or something....Something you wants new, this world is not real.....
Saito: To convince me to honor our arrangement.
Cob:To take a leap of faith at the end. Come back, so we can be young man together again. Come back with me, come back.....
(以上红字对话在悉尼机场，梦境第一层的废弃厂房里和开始的东京某直升机场都发生，当在limbo里Saito和Cob都失去意识时，Cob的陀螺让Saito想起了这段对话，而这段对话又提醒了Cob自己的任务是什么，所以两人都在Limbo举枪自尽回到现实)
(plane, reality)
Plane attendant: We will be landing in LA in about 20 minutes, do you need immigration form?
Cob: Thank you.
Plane attendant: Do you need immigration form?
(airport, reality)
cop: welcome home, Mr cob.
Father: This way.
Look who is here?
Children: Daddy, Daddy......
(完)
后话：
1. 根据戒指理论，电影里所有梦境Cob左手都有戒指而在现实中，如飞机上，巴黎学校，东京的直升机场等Cob左手都没有戒指，而最后出LA飞机场和回家的时候Cob是没有戒指的！所以最后是现实中，陀螺最后是会倒的。
2. 为什么当所有人从飞机上醒来的时候那个睡眠机器没了？Cob醒来后看四周，Arther朝他会心一笑，这个很好理解，可是小女孩的表情又怎么解释呢，两手捧着书看着Cob一脸茫然，这是不是可以理解成所有事情都是Cob在飞机上的一个梦，而其他人都是飞机上的乘客而已呢？因为从飞机上醒来后Cob就再没有和其他人讲过话了。
