Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, after his mother has gone to bed, he dons leather and heads for a private club. He telephones a tattoo artist with a special request. He goes to confession, accusing himself of despairing. He...$罪惡感。$Children的繼續，那個羞澀的男孩長大了，甚至已經顯出了疲軟之態，這部短片開始將Children中的外部感受轉移到內心體驗，更多的著墨于男主角的內心掙扎、恐懼、痛苦和渴求，遊走于慾望與信仰之間，而受到兩者的雙重擠壓，一種脆弱的傷感之情和絕望姿態。母親依舊是最溫暖的形象，但她是否能給你安慰？$貌似特伦斯·戴维斯早期很倾向男同啊，宗教的禁锢、潜伏的死亡和汗淋淋的欲望在梦境里纷呈并惊醒；平移长镜风格尽显，时间的断裂与延续，母子关系的探讨。$探讨男同性恋的宗教信仰折磨和俄狄甫斯情结的作品数不胜数，而这部把其他同类作品远远甩在后面。郁结难解，唯有以泪洗面。$不及主显圣容节成熟，构架上单薄了点。黑白画面、沉缓的运镜以及安静的场景，有浓厚的寂寞和抑郁的焦躁。很喜欢哀哀地恳求刺青师时划过教堂的忏悔镜头。黑暗中给男人口交的场景也让人印象深刻。狭隘的忏悔间里，罪孽套上了人的脖颈，再也解不开。
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