At the end of the 1950s, celebrated French documentarian François Reichenbach (F for Fake, Portrait: Orson Welles), whose lens captured the likes of Brigitte Bardot and Johnny Hallyday, spent eighteen months travelling the United States, documenting its diverse regions, their inhabitants and their pastimes. The result, America As Seen by a Frenchman, is a wide-eyed – perhaps ev...$<$新宠。超棒的纪录片导演，画面和视角很诗意也很独特。Reichenbach跟Chris marker合作好像不少，风格也有些相似之处。$充满活力的年代
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