For 35 years Doña Flor has worked as a clerk in a government office. Each day she attends dozens of people who sit across from her and hand her their documents. For 35 years she has been invisible to these people, a mere cog in the machine. She has grown so accustomed to this invisibility that she seems to have become invisible even to herself except for the brief pause at the ...$一定得标记下这部电影，一个老大娘出来对着售票员说:"This is a hour and thirty nine minute of nothing happening..." But I liked it$不知道这一百分钟我都在干啥，可能是在体会时间的绵延吧，或者是听旁边座大哥吃爆米花？有很多所谓“离心崩溃”构图，固定机位和长镜头是特点。西语名真好，Todo Lo Demàs，多余的人，或者，剩下的人？越看越害怕孤独终老，好不容易在拥挤的公车上买了一张情歌专辑，只能自己抱着枕头跳舞$发展中国家市井角色的塑造。梦境、图像、平庸之恶、死亡、救赎，再装在这么精致的形式里。看好 Natalia Almada。$漫溢的孤独感和内心困境。灯光走廊 和 一些拍摄角度，比如地铁站的俯视视角 好评。$如题，以过度平淡讲隐形感，同类影子写手的风格可见一般，人物前史故弄玄虚，情绪就显得云山雾罩，后半段节奏把控导致尾部拖沓，过于追求气氛和长镜头构图。充分说明导演要的太多，赋予大时代下的国家现实，却在人物价值观上作者观点不明，平淡下强给一点希望。
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