Krsto Skanata approached his subjects in the style of direct cinema. He tried to follow the path of the truth and make films that would reveal the essence of the problem. At the same time, he was smart enough to nuance his approach in such a way that censors would accept and approve the film. One of his first films, In the Shadow of Magic/U senci magije (1955), uncovers the dee...$克斯托·斯卡纳塔以直接电影的风格来处理他的主题。他试图沿着真理的道路前进，拍摄能够揭示问题本质的电影。与此同时，他足够聪明，能够细微地改变自己的做法，让审查人员接受并批准这部电影。他的第一部电影《魔法的阴影》揭示了社会主义南斯拉夫的深刻落后。4.7
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