Idrissa Ouedraogo’s Yam Daabo (1987), in which the child of a peasant family is killed in a traffic accident in the big city, and the same director’s Samba Traoré (1992), is about a prodigal son who returns to the village after having committed armed robbery in the capital. The movie combines the conflicts between tradition and change and the city versus the village into the li...$20021104 cctv6$没多大事，但也舞刀弄枪烧房子了$探讨了城市化给人带来的腐化作用。但批判的方式具有民粹色彩，因为影片将金钱-犯罪-城市，以及穷困-善良-乡村作为相对固定的组合去处理，就夸大了城市化进程对人的消极影响，而忽略了个体选择的能动性，从而使影片价值观显得过于简化。但沿袭导演一贯风格，对乡村人际关系的呈现流畅自然，是了解当地人日常生活很好的窗口。
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