In his London studio, the British painter discusses his work and approach with David Sylvester, a friend and close observer of his art since the late 1940s. Central to their conversation are Bacon's controversial, horrifying subjects and style. His representations of the human figure in portraits and triptychs link him, in his view, to the distorted realism of Van Gogh and Pica...$把灵魂揪出来一顿狂画$玫瑰跟我画的主题又有什么不同呢，培根真的是个天才
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