“Between documentary and fiction, the crude and the coded, contingency and devices, in short, between the raw and the cooked, there has always been a short-circuit, a striking short cut, impurity.” This is how Serge Daney described in 1980 the singularity of great French cinema. Forty years later, Chanson triste is a great film that proves him right. Raw: for a year, Parisian b...$虽说总感觉把这种题材弄成Docufiction有点滑头，但不得不说完成得还不错……
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