After a long absence, Amos Gitaï returns to IFFR – as the subject of a dense documentary that develops a general idea about his art apropos two aspects of his sprawling oeuvre. Laurent Roth, who in 2019 fascinated IFFR audiences with his unorthodox portrait of another filmmaker, Pierre Schoendoerffer, discusses with Gitaï his series House (1980), A House in Jerusalem (1998) and...$为了准备presentation，一个周末看了他的五部片
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