Taylor plays Leonora, a prostitute despondent over the death of her daughter. Mia Farrow is Cenci, a lonely young woman who is immediately attracted to Leonora and practically adopts her as her mother. Albert (Robert Mitchum), Cenci's stepfather, intrudes into this make-believe mother and daughter relationship, and tragedy ensues. 在查Cenci家族时发觉本片女孩也是一个Cenci,预示着和老爸纠缠不清(这里是继父,虽然亨伯特但算客气了的)。罗西擅长的幽玄奇情角色扮演,抽丝剥茧逐渐厘清的叙事颇为可看,但是我觉得泰勒不太适合这种电影,一吼就过火,就好像不想浸入跟Mia的母女play,米彻姆演亨伯特同样太大方,感觉他俩都属于另外一种电影世界。$#LeChampo 冲着两位女主演破次元壁的合作去看的 然鹅太难看了啊!莫名其妙又充满尬点的电影 连译名都那么Drama.我一脸问号❓$太过神经质。$本片令人印象最深的就是那栋四处都是琉璃装潢的豪宅,充满着颓废的气息,如同这个破碎的家庭。开头泰勒和法罗误入一处教堂,里面正进行着婴儿的洗礼,俩人如同被磁铁吸引般朝那一家人靠近,表现出俩人潜意识里对完整家庭的渴望,这也是全片的情感内核之所在。$还是大量封闭室内戏,但太不流畅了,各种故弄玄虚,表演也特别神经质,有雷点啊!