Darezhan Omirbaev's penchant for spare, elliptical narrative, muted figures, and disembodied framing (most notably, of hands and feet) have often been (favorably) compared to the rigorous aesthetic of Robert Bresson. However, in imposing such a somber - and inescapably cerebral - analogy, there is also a propensity to overlook the wry, self-effacing humor and irony of situation...$http://v.youku.com/v_show/id_XMzgwNTU1NDYw.html$很动人$干净的画面~$一切简单，一切纯真$蘇聯 1988
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