A wealthy fifty-something husband and his much younger mistress find their relationship unraveling on the very day that promises his freedom from a failing marriage. The story is seen exclusively from the point of view of the philandering man, played by director Chisu by means of a head-mounted camera. Tensions build as small irritations point up the generation gap while unbidd...$什么样的蠢货才会把摄影机绑脑袋上拍出这样一部第一人称视角的三角离婚戏啊，中间一大段还是在车上的对话，一边开一边俩眼对着副驾驶…嗯？
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