When Luisa, 45, returns from a psychiatric clinic after a bout with severe postpartum depression, she enters a new confinement in her dazzling home, surrounded by family members and a brigade of servants who expect her struggles to remain invisible. Unable to continue playing the role of the perfect housewife, Luisa's only escape is to waltz elegantly into madness. 6.7分$【厄瓜多尔】对产后抑郁的描绘真实到窒息，生动到失语；她被囚禁在房中，也同样被困于心里。“隐形”的到底是“我”，还是周遭的一切。故事与环境空间跟随女子日渐加重的感受有着很巧妙的改变，表演同样赏心悦目；但受限于缺少更多情节的加入，依然仅是完成「观察」这一部分的诠释。$色调差异和不再躁动不安的摄影机运动观感比前作好不少，不认为是种追求最小主义化的叙事，更像是一个适用freud精神分析学的影视例子，口欲期/乳汁异化为血水，围绕权力/欲望/归属感的母亲/女性身份认同
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