Kinski believed that he lived through the same experiences as the legendary "devil violinist" Niccolo Paganini, who set whole Europe of the 19th century into frenzy and through whose personality Kinski offers us an incredibly profound and honest insight into his own life; a life of extremities. 与其说是传记片不如说是疯子片$恶魔与野兽$帕格尼尼，意大利炫技派小提琴大师，身材矮小，长相奇丑无比，却赢得当时贵妇们的青睐。据说其匪夷所思的琴技至今无人匹敌$金斯基大量使用帕氏音乐作为背景乐，配以昏暗、淫荡、意象的画面，似乎希望观众能找到天才与魔鬼之间的辩证关系，抑或萌发出一种纠结的情愫。但我觉得做得还不够。只是在帕格尼尼濒死之际，儿子的呼喊和众人的嘲笑那一幕为全片增添不少光彩。$Paganini就是大淫魔
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