A confrontation and comparison of two church buildings, which could hardly be more different, but also a dialogue between various concepts of church and community: the Protestant Grundtvig’s Church in Copenhagen and the Catholic Cathedral in Orvieto. 艾米高斯的镜头讲究构图感但又异于传统构图法则，从中滋长而出的是建筑像模特一样被摄时的飘荡的姿态感。同时不似班宁关注被遗忘或看起来极“普通”的角落，艾的镜头既有完整透视角度也有细部，剪辑快。某种程度上，的确是一种建筑“速”写。
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