Based on one of the Lumière brothers’ historic first films, Harun Farocki has created a montage of scenes from 100 years of film history, all variations on the theme of “workers leaving the factory”. Farocki uses the pictures to reflect on the iconography and economy of a workers’ society, as well as that of cinema itself, which tends to acquire its audience at the gates of the...$精致$档案-电影 “Germany’s best known unknown filmmaker.” 实验电影的精神流淌在散文电影中$worker- striker - army/soldier - prisoner，电影在拍摄（工厂）大门中度过了一百年$明天又能怎么办$对工人下班和工厂大门作为影像能指的讨论。所有五星给所有法罗基，不想搞社科的影像艺术家不是好学者，好学者，法罗基，很会发现，也很会反思，真想用法罗基的眼睛和脑子看影像。
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