Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been...$终于找到的资源，花了三天时间才下完。虽然是生肉，但是影像本身是可以超越语言的。剪辑上面利用报纸以及胶卷质感的不同，将两个时空来回转换，凸显出纪录片的灵活。而冷静的对非采访以外的事实的排列，有种马克和雷乃的感觉。$碧血青天，沧海桑田。使君子熟地血竭，红娘子独活当归。3.5$以难以想象的时间范围为背景，体裁在这里由于一个纯属偶然的事故而分裂开来，这个事故为影片造成了创伤并且利用人的生物生命中不可重复也无法改变的偶然性将影片写进了历史。讲故事的技巧与摄影与好莱坞怀旧电影产生了互文，唯物主义-物质能指在电影中不再发挥历史性真理的作用。$三星半。二十年后对同一地点人物的纪录$跨越了二十年的拍摄
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