THE CONNECTION is one of the most vital, fascinating films of the American independent world. Created by a woman director, Shirley Clarke, at a time when they were in very short supply, the film shattered stereotypes in just about every conceivable way. And yet, the film remained unseen for many years. The Connection was a play within a play within a jazz concert. It portrayed ...$一屋子的junkie等待毒贩到来，一个导演带着摄影师记录下这一切，最后导演本人也成了瘾君子。 Shirley Clarke的第一部长片，从Jack Gelber的舞台剧改编过来，原作本身就是一场戏中戏独幕剧，搬演到大银幕之后这层拍摄者被摄者的关系变得更复杂值得玩味，确实是一个cinema vérité的绝佳文本。舞台剧观众看到的是台上呈现出来的完整的“片场”景象，而电影观众则是从戏中摄影师的镜头中...$Jazz. Existentialism. Film and reality. But what’s with the ending? Some anti-drug propaganda for passing the censorship?$我喜欢它是因为表演有些像话剧，那间屋子本身就像一个话剧舞台。等待毒品的音乐家们对着剧中导演的镜头表演，而这些人又对着外边的镜头表演。$伪纪录片 舞台剧 Hard Bop 4.1g$虚实真假之间游走的形式@Seoul cinema
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