海上的爱L'amour à la mer(1964)

法国女生走路都是颠颠颠的蹦跶

“One thing I had noticed in every city built close to the sea, you see it everywhere. At the end of each street. The gardens are above the sea, everything is attached to it.”

溫度各異的遠距離戀人的生活與回憶片段，海軍服役的青年與年輕女秘書短暫在休假重逢後，女方對愛情的熱切憧憬與想像，男方對於感情的無感，男主角更多的焦慮是對於人生的徬徨與不知所措；導演善於穿插黑白、彩色的畫面指涉現實與回憶之間的轉換，大量剪接進去的城市風景，蒙太奇凸顯男女雙方的心境差異，整體流暢自由。男主角Daniel的軍中同袍Guy(由導演親自飾演)講述少年時離家來到巴黎就為了毫無家庭拘束地追求自由，整段色彩鮮豔且節奏輕快，相當迷人；Guy熱愛自由熱愛巴黎，與男主角Daniel最後也是為了自由與體驗世界而離開他熟悉的巴黎相映成趣。Alain Delon與Jean-Pierre Léaud驚鴻一瞥的客串。要不是MUBI特別為導演做了小專題回顧，不然後世在討論法國新浪潮卻掛漏這部傑作可謂冤案。

好像庄周梦蝶

Poetic

述说部分为彩色，阿兰德龙打了个戏中戏酱油

the bright spots and failures are the same: too much a colage/bricolage of FNW ideas and technics: the changing of colour, the flashbacks and inserts, the monologue and focusing/defoucusing of different characters, the locality and transition around Paris and provinces, and the visual modes; you just can't combine everything together

看过新浪潮的电影里第一部跳脱出city这个概念的 故事线的并行稍显杂乱

the bright spots and failures are the same: too much a colage/bricolage of FNW ideas and technics: the changing of colour, the flashbacks and inserts, the monologue and focusing/defoucusing of different characters, the locality and transition around Paris and provinces, and the visual modes; you just can't combine everything together

4.5💙je pense à toi

Tu n'imagines jamais combien j'aime Paris, combien j'aime d'être seule dans cette grande ville.

生活与海大概是一回事。

「爱是一片海」