剧情介绍
剧情 这是一部真实的伊拉克战争纪录片，记录一班丹麦士兵被派往伊拉克服兵役与塔利班作战的故事。 《阿玛迪罗》讲述了战争中年轻士兵们的故事，他们如何在阿富汗失去了少年的纯真。“阿玛迪罗”是其中一名丹麦士兵的名字，他被派往阿富汗的赫尔曼德担任哨兵。而正是导演扬努斯·梅兹·彼得森对这些身处前线的年轻士兵进行了6个月的跟拍，走进他们的内心世界，也试图寻找这对于战争来说究竟意味着什么。 幕后花絮 ·丹麦导演扬努斯·梅兹·彼得森执导的纪录片《阿玛迪罗》摘获了第63届戛纳电影节国际影评人周评委团大奖。本片是从2000多部影片中脱颖而出，最终摘获大奖，也成为有史以来戛纳电影节国际影评人周唯一摘获评委团大奖的纪录片。
In February of 2009, a group of Danish soldiers accompanied by documentarian Janus Metz arrived at Armadillo, an army base in the southern Afghan province of Helmand. Metz and cinematographer Lars Skree spent six months following the lives of young soldiers situated less than a kilometre from Taliban positions. The result of their work is a gripping and highly authentic war drama that was justly awarded the Grand Prix de la Semaine de la Critique at the 2010 Cannes film festival. But it also provoked furious debate in Denmark concerning the controversial behavior of certain Danish soldiers during a shoot-out with Taliban fighters. The film-makers repeatedly risked their lives shooting this tense, brilliantly edited, and visually sophisticated probe into the psychology of young men in the midst of a senseless war whose victims are primarily local villagers. Yet more disturbing than scenes in which Taliban bullets whiz past their cameras is the footage of the young soldiers as each tries, in his own way, to come to terms with putting his life constantly on the line.
In February of 2009, a group of Danish soldiers accompanied by documentarian Janus Metz arrived at Armadillo, an army base in the southern Afghan province of Helmand. Metz and cinematographer Lars Skree spent six months following the lives of young soldiers situated less than a kilometre from Taliban positions. The result of their work is a gripping and highly authentic war drama that was justly awarded the Grand Prix de la Semaine de la Critique at the 2010 Cannes film festival. But it also provoked furious debate in Denmark concerning the controversial behavior of certain Danish soldiers during a shoot-out with Taliban fighters. The film-makers repeatedly risked their lives shooting this tense, brilliantly edited, and visually sophisticated probe into the psychology of young men in the midst of a senseless war whose victims are primarily local villagers. Yet more disturbing than scenes in which Taliban bullets whiz past their cameras is the footage of the young soldiers as each tries, in his own way, to come to terms with putting his life constantly on the line.
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