剧情介绍
Tokyo Blood主演：山田辰夫 Tatsuo Yamada/小島正資/立原ちえみ/大山澄子/田口智朗 Tomorowo Taguchi/松尾铃木 Suzuki Matsuo,
監督：石井聰亙／製作：桑田瑞松／プロデューサー：仙頭武則、佐藤正悦／脚本：石井聰亙、宇野イサム／撮影：笠松則通／音楽：東京ダウザー／出演：山田辰夫、小島正資、立原ちえみ、大山澄子、田口トモロヲ、酒井敏也、松尾スズキ、片桐はいり、宝生舞 1993年／日本／カラー／本編33分+特典3分（監督：宇野イサム／製作現場の熱気を伝えるダイジェスト映像）／シンガポール国際映画祭、バンクーバー国際映画祭正式出品作品 ●多彩な全4作品から成るオムニバス。 第1話「STREET NOISE」：義手の男は何かの音を追ってひたすら走る……。 第2話「自転車」：夜明け。偶然出会った女の子たちが世紀末東京の旅へ出る。 第3話「穴」：記憶喪失の記憶を呼び覚ます鍵は「穴」だった！ 第4話「HEART OF STONE」：石になった女の子を巡る不思議な物語を壮大なスケールで描く。
"Tokyo Blood" "1993" is an anthology film consisting of four experimental shorts directed by Gakuryû Ishii "formerly known as Sogo Ishii" thematically connected by the theme of entrapment in Tokyo's urban landscape and desire to escape. The opening film, "Street Noise" is an impressionistic audio/visual collage depicting an anonymous salaryman's state of mind as he breaks down from sensory overload. The second vignette, "Bicycle" follows the journey of two young strangers bonded by alienation who aimlessly explore the city by bike after a chance encounter. The third chapter begins as a parody of structuralist film theory "not unlike early works by Peter Greenaway" but soon descends into the hyper-kinetic chaos reminiscent of films by fellow Japanese avant-garde director Shinya Tsukamoto "The Tetsuo Trilogy". The concluding film, "Heart of Stone" is seemingly a transmission from a post-human feature combining the styles of Chris Marker's essay films and Craig Baldwin's found-footage ...
"Tokyo Blood" "1993" is an anthology film consisting of four experimental shorts directed by Gakuryû Ishii "formerly known as Sogo Ishii" thematically connected by the theme of entrapment in Tokyo's urban landscape and desire to escape. The opening film, "Street Noise" is an impressionistic audio/visual collage depicting an anonymous salaryman's state of mind as he breaks down from sensory overload. The second vignette, "Bicycle" follows the journey of two young strangers bonded by alienation who aimlessly explore the city by bike after a chance encounter. The third chapter begins as a parody of structuralist film theory "not unlike early works by Peter Greenaway" but soon descends into the hyper-kinetic chaos reminiscent of films by fellow Japanese avant-garde director Shinya Tsukamoto "The Tetsuo Trilogy". The concluding film, "Heart of Stone" is seemingly a transmission from a post-human feature combining the styles of Chris Marker's essay films and Craig Baldwin's found-footage ...
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